Course Policies and Procedures
University of Maine at Fort Kent / Division of Arts and Humanities

ENG 203: English Literature II: Romantics to Twentieth Century

Meets: M & R 9:30-10:50AM
Successful Completion earns 3.0 Credit Hours

Instructor/Facilitator: Dr. Joseph E. Becker

E-mail: joseph.becker@maine.edu

Office: Nadeau 236

Office Hours: MR 11AM - 1PM W 8AM-11AM (By appointment)

Office Phone: 834-7588

Website: http://academic.umfk.maine.edu/jbecker/index.htm

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Mary Wollstonecraft Shelley
(1797-1851)

Prerequisite
Eng 101 or instructor's permission

Required Texts:

Email

You will be required to maintain an active email account and check it at least daily. Panel members working on the same text can exchange and discuss their responses, which will help create more dynamic whole class discussions. I will send any class related announcements to your email accounts.

Purpose of the Course
From the UMFK Catalogue: "Surveys English authors of the nineteenth and twentieth centuries." I plan to introduce you to the major works of British literature produced between 1785 and the 1990s. You will be introduced to the basics of literary analysis and utilize analytical skills in examining the various literary texts. These analytical skills may be transferred to other fields e.g. engineering, medicine, law, business, science, education, etc. You will also practice literary analysis, independent research, and expository prose through the production of a short paper or two.

Goals

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Hugh MacDiarmid
 
(1892-1978) 

Some of the primary goals of our course will be to:

Class Format
We will primarily discuss the assigned texts via lecture-discussion and student-lead panels. I will provide introductory and guiding talks to supplement discussion and provide relevant background material. Active involvement in class discussions and panels is a major component of your course participation grade. Absences and poor involvement will severely compromise this component of your final grade.

Academic Honesty
See University of Maine at Fort Kent Academic Policies: "Honesty and integrity are vital to the functioning of the academic process. Students are expected to follow the procedures established in each class, in each assignment. Each student will submit only his or her own work with inclusion of proper attributions when appropriate. Faculty must be clear about their expectations for individual and collaborative assignments. Students who work collaboratively with other students must acknowledge the work of all students to a project. Students who plagiarize work from any source are subject to serious consequences ranging from failing an assignment to being dismissed from the University depending on the circumstances. Normally, students will not fail an entire course because of one incident, but repeated incidents will result in more serious consequences."

Definition of Plagarism
The spectrum of plagarism is a wide one. At one end of the spectrum is word-for-word copying of another's writing without enclosing the copied passage in quotation marks and identifying it in a footnote or reference. More often, plagarism results from patching together passages from various sources, the writer's major contribution being the cement to hold the pieces together. Another example is the paraphrasing or abbreviation of someone else's ideas or the restatement of someone else's analysis or conclusion without acknowledgment that another person's text has been the basis. Weaving these "borrowed" ideas into the text without referencing the original source is plagarism. Today's electronic sources make it easier to download material and present it as one's own without making any or only minor changes. It is the responsibility of each student to make himself or herself familiar with the definition of plagarism and not commit this error out of ignorance.

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James Joyce 
(1882-1941)

Attendance
Students are expected to attend class regularly. All absences are recorded. Your class participation score will be lowered for unexcused absences as follows: 1=95, 2=85, 3=75, 4=65, 5=55, 6 or more=0. It is your responsibility to make arrangements concerning activities, employment, family situations, and other courses. If health, job, other classes, other activities, and/or family responsibilities are going to present a constant conflict with class attendance, drop the course now. You are responsible for all material, work, or assignments made when absent whether for personal or university related reasons. Inform family and friends of this policy, and keep it in mind when making travel arrangements or reservations. You must provide corroborating evidence (doctor’s note, etc.) to have an absence marked "excused." Even if an absence has documentation, an excessive amount of "excused" absences can also adversely affect your overall participation grade. If you miss two consecutive weeks of class and/or two major assignments, you are strongly advised to drop the course by the appropriate deadline. If I believe such action is warranted, I may initiate a "Withdrawal by Faculty" as explained in the University of Maine at Fort Kent’s Academic Policies.

Tardies
You are responsible for notifying me of your presence, and if you fail to do so, you will be marked absent for that meeting. Coming in late is terribly disruptive, but if circumstances arise that force you to come in late, please do so as unobtrusively as possible. Also, if you are late and miss a reading quiz (usually given at the start of class), it may not be made up. Consistent tardiness will affect your attendance grade (3 tardies=1 absence). Remember to make adequate allowances for weather and parking conditions.

Students with Disabilities
Students with a documented disability, who need academic accommodations, are encouraged to meet with an Academic & Counseling Services representative (207-834-7530, Cyr Hall Rm. 107) to develop a plan for their accommodations. To ensure the timely availability of accommodations, students should request services well in advance of the start of the semester.

Paper
A 5-7 page (1500-2100 word) paper submitted by e-mail will be required. You may use analysis of a text ported by secondary sources as the prime approach to producing the paper—a more extensive set of guidelines and instructions will be provided on a separate handout. All secondary sources must be documented according to current MLA documentation guidelines. Papers failing to do so will be considered plagiarized.

Quizzes
Short (5 minute) tests asking for identification, short response, or other information based on the reading assigned for a given day may be given from time to time. Consistently poor performance could negatively impact your participation grade. These will typically be done on index cards. Quizzes are typically given at the beginning of class and cannot be made up. Don’t be late!

Grading

Five equal parts (20% ea. component):

1)Paper, 2)Mid-term Examination, 3)Final Examination,

4)Class Participation 5)Reading Quizzes

Grade Scale
The standard grade scale for UMFK will be used as the basis for evaluating your work:

A+ (98-100), A (97-94), A- (93-90), B+ (89-88), B (87-84), B- (93-80), C+ (79-78), C (77-74), C- (73-70), C (70-79), D+(69-68), D (67-64), D- (63-60), F (0-59)

Note: Incompletes are not encouraged and will only be granted in the most exceptional and rare circumstances.

Concerning grades: You have a right and an obligation to discuss your grades with me if you have questions or concerns. You do not have a right to a grade or an A or B, or even a passing grade, merely because you need such a grade to stay eligible for athletics, organizations, scholarships, or continued enrollment at UMFK. I cannot and am not obligated to assist you if you're getting a low grade in another course and need a certain grade in this course to make your GPA acceptable in your particular situation. Your grades are your responsibility.

Makeup Work

Examinations can only be made up, if schedulable, for the most pressing reasons. All assignments (exams and papers) must be submitted within one (1) week of the due date to receive some credit. Assignments will not be accepted beyond one (1) week past the due date for any reason. Unsubmitted assignments earn a zero (0) score.

Examinations

Examinations will consist of identifications, quotations, and short essay/discussion questions drawn from the works read. Additional information will be provided in advance of each examination, including a study guide of all material (terms and essay questions) which may appear on the exam. Quotations will be taken from significant passages in various works.

 

Important Dates

1. Wednesday, September 8, 2004: Last Day to Add a Class.

2. Friday, November 12, 2004: Final day to drop a course. A "W" will appear on your official transcript if you drop on or before this date. No withdrawals without academic penalty will be permitted after this date (an "F" for the course will be recorded).

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Jane Austen
(1775-1817)

Miscellaneous Comments Concerning ENG 203
1. Be prepared for class. I cannot emphasize enough the importance of coming to class prepared. This will make for a much more interesting and dynamic class experience.

2. Academic Freedom: Academic freedom means, among other things, that you and I are entitled to work in an atmosphere of mutual respect which promotes thoughtful inquiry and exchange of ideas. Teaching and learning involve examining our viewpoints in light of others that differ from our own. On some matters we may agree to disagree. However, actions which disrupt such an atmosphere, interfere with my obligation to do my job, or block a student's right to instruction will not be tolerated. If you have concerns about the course or my behavior as an instructor, seek me out for a conference outside of class. However, I expect you to be ready to examine your own experiences and motivations, as I am ready to examine mine.

3. Cell phone or beeper operation in class is disruptive and often rude. Use good judgment: beepers and phones are best kept turned off in class. Allowances will be made for extraordinary situations, but if a phone or beeper inadvertently goes off, conduct your conversation outside of class, and remember to respect other classes that may be in session.

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Seamus Heaney
(b. 1939) 

Equal Opportunity Statement
In complying with the letter and spirit of applicable laws and in pursuing its own goals of pluralism, the University of Maine at Fort Kent shall not discriminate on the grounds of race, color, religion, sex, sexual orientation, national origin or citizenship status, age, disability, or veterans status in employment, education, and all other areas of the University. The University provides reasonable accommodations to qualified individuals with disabilities upon request.

Withdrawal by Faculty
Any instructor may initiate the withdrawal of any student from their class for non-compliance with course syllabus and/or classroom expectations. The faculty must complete the appropriate form with the Registrar's Office. Withdrawal grades assigned are those given during normal add/drop dates (see ADD/DROP).

Disclaimer
Material contained on these pages is subject to alteration or modification at the instructor's discretion or as University policy dictates. Check with classmates or the instructor for addenda, emendations, or alterations, especially if you have been absent.

     

Date Assignment
9/2    Introductions, Policies, Syllabus, Discussion of the General Goals of the Cours
9/6 Labor Day Holiday—No Class
9/9 "The Romantic Period" (1-22); William Blake (35-39): from Songs of Innocence: "The Lamb" (45),   "The Chimney Sweeper" (46-47), "Holy Thursday" (47-48); from Songs of Experience: "Holy Thursday" (51), "The Chimney Sweeper" (52), "The Tyger" (54); Visions of the Daughters of Albion  (64-71); The Marriage of  Heaven and Hell (72-82)
9/13  William Wordsworth (219-221): "Preface to Lyrical Ballads" (238-251); "Simon Lee" (222-224), "We Are  Seven" (224-226), "Lines Composed a Few Miles Above Tintern Abbey" (23-238), "I wandered lonely as a  cloud" (284-285) [Dorothy Wordsworth: Grasmere Journal entry (391)], "My heart leaps up" (285), "Ode: Intimations of Immortality" (286-292)
9/16  Samuel Taylor Coleridge (416-418): "The Eolian Harp" (419-420), "The Rime of the Ancient Mariner"   (422-439); "Kubla Khan" (439-441)
9/20   Mary Wollstonecraft Shelley (903-905): Frankenstein (905-949)
9/23   Mary Wollstonecraft Shelley: Frankenstein (949-995)
9/27 Mary Wollstonecraft Shelley: Frankenstein (995-1034)
9/30   Charles Lamb: "Christ’s Hospital Five-and-Thirty Years Ago" (494-505); William Hazlitt (513-527), Thomas de   Quincey (529-530): from Confessions of an English Opium Eater (533-543)
10/4 Lord Byron (551-555): "Written after Swimming from Sestos to Abydos" (555-556), "She Walks in Beauty"  (556-557), Manfred (588-621))—Midterm Study Guide distributed
10/7   Percy Bysshe Shelley (698-701): "Hymn to Intellectual Beauty" (723-725), "Ozymandias" (725), "Ode to the  West Wind" (730), A Defense of Poetry (789-803
10/11 Fall Recess—No Classes
10/14

Keats: "On First Looking into Chapman’s Homer" (826), "On Seeing the Elgin Marbles" (828), "When I have fears"  (833), "La Belle Dams Sans Merci" (845-847), "Ode to a Nightingale" (849-851), "Ode on a Grecian Urn"  (851-853)

10/18 Midterm Examination
10/21 "The Victorian Age" (1043-1066), Thomas Carlyle (1066-1069): from Sartor Resartus (1077-1102)
10/25 John Henry Cardinal Newman (1119-1121): from The Idea of a University (1121-1127), John Stuart Mill  (1137-1139): from The Subjection of Woman (1155-1165), Matthew Arnold (1471-1475): from Culture and  Anarchy (1528-1534)
10/28  Tennyson: "The Lady of Shalott" (1204-1208), "The Lotos-Eaters" (1208-1213), "Ulysses" (1213-1215), "Break,  Break, Break" (1216), "The Eagle: A Fragment" (1219), In Memorium A. H. H. : sections 1-15, 19 (1231-1241)  & sections 54-59 (1250-1253), "Crossing the Bar" (1304)
11/1 Robert Browning: "Porphyria’s Lover" (1349), "My Last Duchess" (1352), The Bishop Orders His Tomb"  (1359-1362), "Meeting at Night" "Parting at Morning" (1362), "Childe Roland to the Dark Tower Came"  (1367-1373)
11/4 Matthew Arnold: "The Scholar Gypsy" (1485), "Dover Beach" (1492), "Stanzas from the Grande Cartreuse" (1493-1498)
11/8 Elizabeth Barrett Browning (1173-1174): from Aurora Leigh (1180-1194); Christina Rossetti (1583-1584): "In an Artist’s Studio" (1586), "Goblin Market" (1589-1601)
11/11     Oscar Wilde: The Importance of Being Ernest (1761-1805)
11/15  "The Twentieth Century" (1897-1916); Thomas Hardy (1916-1917): "Hap" (1934), "The Darkling Thrush"  (1937-1938), "The Convergence of the Twain" (1945-1946), "In Time of ‘The Breakiing of Nations’" (1951);  "Voices from World War I" (2048-2049): Seigfried Sasson (2054-2055): "The Rear-Guard" (2056), Wilfred  Owen (2066): "Dulce et Decorum Est" (2069-2070)
11/18    Joseph Conrad (1952-1953): Heart of Darkness (1957-2017 [first half])
11/22  Joseph Conrad: Heart of Darkness (1957-2017 [last half] )
11/25   Thanksgiving Holiday—No Class
11/29    William ButlerYeats: "The Lake Isle of Innisfree" (2092), "Easter 1916" (2104), "The Second Coming" (2106), "Sailing to  Byzantium" (2109), "Leda and the Swan" (2110)
12/2     Virginia Woolf (2141-2143): A Room of One’s Own (2153-2214)
12/6 James Joyce: "Araby" (2236-2240), "The Dead" (2240-2268)—Paper DueFinal Examination Study Guide Distributed
12/9     Hugh McDiarmid (2433-2437) W. H. Auden (2500-2501): "Musée des Beaux Arts" (2505), "The Shield of  Achilles" (2511-2513); Dylan Thomas (2516-2517): "Fern Hill" (2522-2524); Ted Hughes (2587-2594), Seamus Heaney (2818-2829)
12/17   Final Examination—1PM-3PM—in the classroom