Course Policies and Procedures
University of Maine at Fort Kent / Division of Arts and Humanities
ENG 203: English
Literature II: Romantics to Twentieth Century
Meets: M & R 9:30-10:50AM
Successful Completion earns 3.0 Credit Hours
Instructor/Facilitator: Dr. Joseph E. Becker
E-mail: joseph.becker@maine.edu
Office: Nadeau 236
Office Hours: MR 11AM - 1PM W 8AM-11AM (By appointment)
Office Phone: 834-7588
Website: http://academic.umfk.maine.edu/jbecker/index.htm
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Mary Wollstonecraft
Shelley |
Prerequisite
Eng 101 or instructor's permission
Required Texts:
- The Norton Anthology of English Literature, Seventh EditionEds. M. H. Abrams & Stephen Greenblatt.
- A good collegiate dictionary
- A pack of 3 x 5 index cards for quizzes and other assignments (please be sure to get the right size!)
You will be required to maintain an active email account and check it at least daily. Panel members working on the same text can exchange and discuss their responses, which will help create more dynamic whole class discussions. I will send any class related announcements to your email accounts.
Purpose of the Course
From the UMFK Catalogue: "Surveys English authors of the nineteenth and twentieth
centuries." I plan to introduce you to the major works of British literature produced
between 1785 and the 1990s. You will be introduced to the basics of literary analysis and
utilize analytical skills in examining the various literary texts. These analytical skills
may be transferred to other fields e.g. engineering, medicine, law, business, science,
education, etc. You will also practice literary analysis, independent research, and
expository prose through the production of a short paper or two.
Goals
|
Hugh MacDiarmid |
Some of the primary goals of our course will be to:
- Gain familiarity with some of the major figures in British literature throughout the periods studied.
- Understand the contributions of lesser known figures from the periods studied.
- Explain the basic literary tendencies and predominate philosophies of the Romantic, Victorian, Modernist, and Post-Modernist periods. We will also seek to understand the limitations of such labels.
- Explore the often uneasy relationship between British culture and authors from areas dominated by it during the colonial period (e.g., Joyce, MacDiarmid, and Rushdie)
Class Format
We will primarily discuss the assigned texts via lecture-discussion and
student-lead panels. I will provide introductory and guiding talks to supplement
discussion and provide relevant background material. Active involvement in class
discussions and panels is a major component of your course participation grade.
Absences and poor involvement will severely compromise this component of your final grade.
Academic Honesty
See University of Maine at Fort Kent Academic Policies: "Honesty and integrity
are vital to the functioning of the academic process. Students are expected to follow the
procedures established in each class, in each assignment. Each student will submit only
his or her own work with inclusion of proper attributions when appropriate. Faculty must
be clear about their expectations for individual and collaborative assignments. Students
who work collaboratively with other students must acknowledge the work of all students to
a project. Students who plagiarize work from any source are subject to serious
consequences ranging from failing an assignment to being dismissed from the University
depending on the circumstances. Normally, students will not fail an entire course because
of one incident, but repeated incidents will result in more serious consequences."
Definition of Plagarism
The spectrum of plagarism is a wide one. At one end of the spectrum is word-for-word
copying of another's writing without enclosing the copied passage in quotation marks and
identifying it in a footnote or reference. More often, plagarism results from patching
together passages from various sources, the writer's major contribution being the cement
to hold the pieces together. Another example is the paraphrasing or abbreviation of
someone else's ideas or the restatement of someone else's analysis or conclusion without
acknowledgment that another person's text has been the basis. Weaving these
"borrowed" ideas into the text without referencing the original source is
plagarism. Today's electronic sources make it easier to download material and present it
as one's own without making any or only minor changes. It is the responsibility of each
student to make himself or herself familiar with the definition of plagarism and not
commit this error out of ignorance.
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| James Joyce (1882-1941) |
Attendance
Students are expected to attend class regularly. All absences are recorded.
Your class participation score will be lowered for unexcused absences as follows: 1=95,
2=85, 3=75, 4=65, 5=55, 6 or more=0. It is your responsibility to make arrangements
concerning activities, employment, family situations, and other courses. If health, job,
other classes, other activities, and/or family responsibilities are going to present a
constant conflict with class attendance, drop the course now. You are responsible for all
material, work, or assignments made when absent whether for personal or university related
reasons. Inform family and friends of this policy, and keep it in mind when making travel
arrangements or reservations. You must provide corroborating evidence (doctors note,
etc.) to have an absence marked "excused." Even if an absence has documentation,
an excessive amount of "excused" absences can also adversely affect your overall
participation grade. If you miss two consecutive weeks of class and/or two major
assignments, you are strongly advised to drop the course by the appropriate deadline.
If I believe such action is warranted, I may initiate a "Withdrawal by Faculty"
as explained in the University of Maine at Fort Kents Academic Policies.
Tardies
Students with Disabilities
Paper
Quizzes
Short (5 minute) tests asking for identification, short response,
or other information based on the reading assigned for a given day may be given from time
to time. Consistently poor performance could negatively impact your participation grade.
These will typically be done on index cards. Quizzes are typically given at the
beginning of class and cannot be made up. Dont be late!
Grading
Five equal parts (20% ea. component):
1)Paper, 2)Mid-term Examination, 3)Final Examination,
4)Class Participation 5)Reading Quizzes
Grade Scale
The standard grade scale for UMFK will be used as the basis for evaluating your
work:
A+ (98-100), A (97-94), A- (93-90), B+ (89-88), B (87-84), B- (93-80), C+ (79-78), C (77-74), C- (73-70), C (70-79), D+(69-68), D (67-64), D- (63-60), F (0-59)
Note: Incompletes are not encouraged and will only be granted in the most exceptional and rare circumstances.
Concerning grades: You have a right and an obligation to discuss your grades with me if you have questions or concerns. You do not have a right to a grade or an A or B, or even a passing grade, merely because you need such a grade to stay eligible for athletics, organizations, scholarships, or continued enrollment at UMFK. I cannot and am not obligated to assist you if you're getting a low grade in another course and need a certain grade in this course to make your GPA acceptable in your particular situation. Your grades are your responsibility.
Makeup Work
Examinations can only be made up, if schedulable, for the most pressing reasons. All assignments (exams and papers) must be submitted within one (1) week of the due date to receive some credit. Assignments will not be accepted beyond one (1) week past the due date for any reason. Unsubmitted assignments earn a zero (0) score.
Examinations
Examinations will consist of identifications, quotations, and short essay/discussion questions drawn from the works read. Additional information will be provided in advance of each examination, including a study guide of all material (terms and essay questions) which may appear on the exam. Quotations will be taken from significant passages in various works.
Important Dates
2. Friday, November 12, 2004: Final day to drop a course. A "W" will appear on your official transcript if you drop on or before this date. No withdrawals without academic penalty will be permitted after this date (an "F" for the course will be recorded).
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Jane Austen |
Miscellaneous Comments Concerning ENG 203
1. Be prepared for class. I cannot emphasize enough the importance of coming to
class prepared. This will make for a much more interesting and dynamic class
experience.
2. Academic Freedom: Academic freedom means, among other things, that you and I are entitled to work in an atmosphere of mutual respect which promotes thoughtful inquiry and exchange of ideas. Teaching and learning involve examining our viewpoints in light of others that differ from our own. On some matters we may agree to disagree. However, actions which disrupt such an atmosphere, interfere with my obligation to do my job, or block a student's right to instruction will not be tolerated. If you have concerns about the course or my behavior as an instructor, seek me out for a conference outside of class. However, I expect you to be ready to examine your own experiences and motivations, as I am ready to examine mine.
3. Cell phone or beeper operation in class is disruptive and often rude. Use good judgment: beepers and phones are best kept turned off in class. Allowances will be made for extraordinary situations, but if a phone or beeper inadvertently goes off, conduct your conversation outside of class, and remember to respect other classes that may be in session.
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Seamus Heaney |
Equal Opportunity Statement
In complying with the letter and spirit of applicable laws and in pursuing its own goals
of pluralism, the University of Maine at Fort Kent shall not discriminate on the grounds
of race, color, religion, sex, sexual orientation, national origin or citizenship status,
age, disability, or veterans status in employment, education, and all other areas of the
University. The University provides reasonable accommodations to qualified individuals
with disabilities upon request.
Withdrawal by Faculty
Any instructor may initiate the withdrawal of any student from their class for
non-compliance with course syllabus and/or classroom expectations. The faculty must
complete the appropriate form with the Registrar's Office. Withdrawal grades assigned are
those given during normal add/drop dates (see ADD/DROP).
Disclaimer
| Date | Assignment |
| 9/2 | Introductions, Policies, Syllabus, Discussion of the General Goals of the Cours |
| 9/6 | Labor Day HolidayNo Class |
| 9/9 | "The Romantic Period" (1-22); William Blake (35-39): from Songs of Innocence: "The Lamb" (45), "The Chimney Sweeper" (46-47), "Holy Thursday" (47-48); from Songs of Experience: "Holy Thursday" (51), "The Chimney Sweeper" (52), "The Tyger" (54); Visions of the Daughters of Albion (64-71); The Marriage of Heaven and Hell (72-82) |
| 9/13 | William Wordsworth (219-221): "Preface to Lyrical Ballads" (238-251); "Simon Lee" (222-224), "We Are Seven" (224-226), "Lines Composed a Few Miles Above Tintern Abbey" (23-238), "I wandered lonely as a cloud" (284-285) [Dorothy Wordsworth: Grasmere Journal entry (391)], "My heart leaps up" (285), "Ode: Intimations of Immortality" (286-292) |
| 9/16 | Samuel Taylor Coleridge (416-418): "The Eolian Harp" (419-420), "The Rime of the Ancient Mariner" (422-439); "Kubla Khan" (439-441) |
| 9/20 | Mary Wollstonecraft Shelley (903-905): Frankenstein (905-949) |
| 9/23 | Mary Wollstonecraft Shelley: Frankenstein (949-995) |
| 9/27 | Mary Wollstonecraft Shelley: Frankenstein (995-1034) |
| 9/30 | Charles Lamb: "Christs Hospital Five-and-Thirty Years Ago" (494-505); William Hazlitt (513-527), Thomas de Quincey (529-530): from Confessions of an English Opium Eater (533-543) |
| 10/4 | Lord Byron (551-555): "Written after Swimming from Sestos to Abydos" (555-556), "She Walks in Beauty" (556-557), Manfred (588-621))Midterm Study Guide distributed |
| 10/7 | Percy Bysshe Shelley (698-701): "Hymn to Intellectual Beauty" (723-725), "Ozymandias" (725), "Ode to the West Wind" (730), A Defense of Poetry (789-803 |
| 10/11 | Fall RecessNo Classes |
| 10/14 | Keats: "On First Looking into Chapmans Homer" (826), "On Seeing the Elgin Marbles" (828), "When I have fears" (833), "La Belle Dams Sans Merci" (845-847), "Ode to a Nightingale" (849-851), "Ode on a Grecian Urn" (851-853) |
| 10/18 | Midterm Examination |
| 10/21 | "The Victorian Age" (1043-1066), Thomas Carlyle (1066-1069): from Sartor Resartus (1077-1102) |
| 10/25 | John Henry Cardinal Newman (1119-1121): from The Idea of a University (1121-1127), John Stuart Mill (1137-1139): from The Subjection of Woman (1155-1165), Matthew Arnold (1471-1475): from Culture and Anarchy (1528-1534) |
| 10/28 | Tennyson: "The Lady of Shalott" (1204-1208), "The Lotos-Eaters" (1208-1213), "Ulysses" (1213-1215), "Break, Break, Break" (1216), "The Eagle: A Fragment" (1219), In Memorium A. H. H. : sections 1-15, 19 (1231-1241) & sections 54-59 (1250-1253), "Crossing the Bar" (1304) |
| 11/1 | Robert Browning: "Porphyrias Lover" (1349), "My Last Duchess" (1352), The Bishop Orders His Tomb" (1359-1362), "Meeting at Night" "Parting at Morning" (1362), "Childe Roland to the Dark Tower Came" (1367-1373) |
| 11/4 | Matthew Arnold: "The Scholar Gypsy" (1485), "Dover Beach" (1492), "Stanzas from the Grande Cartreuse" (1493-1498) |
| 11/8 | Elizabeth Barrett Browning (1173-1174): from Aurora Leigh (1180-1194); Christina Rossetti (1583-1584): "In an Artists Studio" (1586), "Goblin Market" (1589-1601) |
| 11/11 | Oscar Wilde: The Importance of Being Ernest (1761-1805) |
| 11/15 | "The Twentieth Century" (1897-1916); Thomas Hardy (1916-1917): "Hap" (1934), "The Darkling Thrush" (1937-1938), "The Convergence of the Twain" (1945-1946), "In Time of The Breakiing of Nations" (1951); "Voices from World War I" (2048-2049): Seigfried Sasson (2054-2055): "The Rear-Guard" (2056), Wilfred Owen (2066): "Dulce et Decorum Est" (2069-2070) |
| 11/18 | Joseph Conrad (1952-1953): Heart of Darkness (1957-2017 [first half]) |
| 11/22 | Joseph Conrad: Heart of Darkness (1957-2017 [last half] ) |
| 11/25 | Thanksgiving HolidayNo Class |
| 11/29 | William ButlerYeats: "The Lake Isle of Innisfree" (2092), "Easter 1916" (2104), "The Second Coming" (2106), "Sailing to Byzantium" (2109), "Leda and the Swan" (2110) |
| 12/2 | Virginia Woolf (2141-2143): A Room of Ones Own (2153-2214) |
| 12/6 | James Joyce: "Araby" (2236-2240), "The Dead" (2240-2268)Paper DueFinal Examination Study Guide Distributed |
| 12/9 | Hugh McDiarmid (2433-2437) W. H. Auden (2500-2501): "Musée des Beaux Arts" (2505), "The Shield of Achilles" (2511-2513); Dylan Thomas (2516-2517): "Fern Hill" (2522-2524); Ted Hughes (2587-2594), Seamus Heaney (2818-2829) |
| 12/17 | Final Examination1PM-3PMin the classroom |